Montmartre
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Montmartre means 'mountain of the martyr'; it owes its name to the martyrdom of Saint Denis, who was decapitated on the hill around 250 AD. Saint Denis was the Bishop of Paris and is the patron saint of France.
The hill's religious symbolism is thought to be even older, as it has been suggested as a likely druidic holy place because it is the highest point in the area.
When Napoleon III and his city planner Baron Haussmann planned to make Paris the most beautiful city in Europe, a first step was to grant large sweeps of land near the center of the city to Haussmann's friends and financial supporters. This drove the original inhabitants to the edges of the city — to the districts of Clichy, La Villette, and the hill with a view of the city, Montmartre.
Russians occupied Montmartre when invading Paris. They used the altitude of the hill for artillery bombardment of the city.
There is a memorial sign on one of the restaurants on Montmartre that says: On the 30th of March 1814 - here the Cossacks for the first time pounced their famous demand "Bistro" and on this summit occurred the noble ancestor of our Bistros.
Since Montmartre was outside the city limits, free of Paris taxes and no doubt also due to the fact that the local nuns made wine, the hill quickly became a popular drinking area. The area developed into a center of free-wheeling and decadent entertainment at the end of the 19th century and the beginning of the 20th century. In the popular cabaret the Moulin Rouge, and at Le Chat Noir, artists, singers and performers regularly appeared including Yvette Guilbert, Marcelle Lender, Aristide Bruant, La Goulue, Georges Guibourg, Mistinguett, Fréhel, Jane Avril, Damia and others.
Basilica of the Sacré Cœur was built on Montmartre from 1876 to 1912 by public subscription as a gesture of expiation after the defeat of 1871 in the Franco-Prussian War. Its white dome is a highly visible landmark in the city, where just below it artists still set up their easels each day amidst the tables and colorful umbrellas of Place du Tertre.
At the beginning of his political career, the future French statesman Georges Clemenceau (1841–1929) was mayor of Montmartre.
In the mid-1800s artists, such as Johan Jongkind and Camille Pissarro, came to inhabit Montmartre. By the end of the century, Montmartre and its counterpart on the Left Bank, Montparnasse, became the principal artistic centers of Paris.
Pablo Picasso, Amedeo Modigliani, and other impoverished artists lived and worked in a commune, a building called Le Bateau-Lavoir during the years 1904–1909.
Artist associations such as Les Nabis and the Incoherents were formed and individuals including Vincent van Gogh, Pierre Brissaud, Alfred Jarry, Gen Paul, Jacques Villon, Raymond Duchamp-Villon, Henri Matisse, André Derain, Suzanne Valadon, Pierre-Auguste Renoir, Edgar Degas, Maurice Utrillo, Toulouse-Lautrec, Théophile Steinlen worked in Montmartre and drew some of their inspiration from the area.
Composers, including Satie (who was a pianist at Le Chat Noir), also lived in the area.
The last of the bohemian Montmartre artists was Gen Paul (1895–1975), born in Montmartre and a friend of Utrillo, Paul's calligraphic expressionist lithographs, sometimes memorializing picturesque Montmartre itself, owe a lot to Raoul Dufy.
In La Bohème (1965), perhaps the best-known song by popular singer-songwriter Charles Aznavour, a painter recalls his youthful years in a Montmartre that has ceased to exist: Je ne reconnais plus/Ni les murs, ni les rues/Qui ont vu ma jeunesse/En haut d'un escalier/Je cherche l'atelier/Dont plus rien ne subsiste/Dans son nouveau décor/Montmartre semble triste/Et les lilas sont morts ('I no longer recognize/Neither the walls nor the streets/That had seen my youth/At the top of a staircase/I look for an atelier/Of which nothing survives/In its new décor/Montmartre seems sad/And the lilacs are dead'). The song is a farewell to what, according to Aznavour, were the last days of Montmartre as a site of bohemian activity.
The Musée de Montmartre is in the house where the painter Maurice Utrillo lived and worked in a second-floor studio. The mansion in the garden at the back is the oldest hotel on Montmartre, and one of its first owners was Claude Roze, also known as Roze de Rosimond, who bought it in 1680. Roze was the actor, who replaced Molière, and like his predecessor, died on stage. The house was Pierre-Auguste Renoir's first Montmartre address and many other names moved through the premises.
Just off the top of the butte, Espace Dalí showcases surrealist artist Salvador Dalí's work. Nearby, day and night, tourists visit such sights as the artists in Place du Tertre and the cabaret du Lapin Agile. Many renowned artists are buried in the Cimetière de Montmartre and the Cimetière Saint-Vincent.
The movie Amélie is set in an exaggeratedly quaint version of contemporary Montmartre.
Montmartre is an officially designated historic district with limited development allowed in order to maintain its historic character.
A funicular railway, the Funiculaire de Montmartre, operated by RATP, ascends the hill from the south while the Montmartre Bus circles the hill.
Downhill to the southwest is the red-light district of Pigalle. That area is, today, largely known for a wide variety of sex shops and prostitutes. It also contains a great number of stores specializing in instruments for rock music. There are also several concert halls, also used for rock music.
Source : wikipedia
Cheers,
Tobias
www.tobiassteiner.com
